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Thom
Bierdz
Art
is his way of overcoming horrendous tragedies. The
brutal murder of his beloved mother at the hands of his
paranoid schizophrenic brother in 1989 ended Thom's 20s
and his three-year gig as a regular on the soap opera
The Young and the Restless. Most of his 30s were spent
in silent catharsis as he labored intensively over his
art, motivated by the primal desire to make sense of the
matricide. In 2000, another blow would enter the
artist's life when his other brother, in a paranoid
depression, committed suicide. Thom's need to express
his inner fears became an obsession. "Each painting
became an earnest attempt to make sense out of the
senseless; to make something beautiful out of something
tragic," says Thom.
What emerges from his personal journey onto the canvas
is at times heartbreaking, haunting and profoundly
affecting. Thom's body of work ultimately proves to be
an uplifting and inspiring experience of transcendence,
a compelling testimony on the resilience of the human
spirit.
Thom Bierdz' best-selling MEN IN TREES series of
paintings depicts classic male nudes amongst the
leafless limbs of a metaphorical tree of life. Thom
elaborates: "Stripped of camouflage or defense, the
bare branches and figures suggest a netherworld between
dreaming and waking - awareness and unconsciousness -
life and death. The men inhabiting these personal
purgatories struggle, pray, contemplate and rejoice;
they are icons of our individual journeys and
interaction with the infinite. Each viewer's perspective
determines whether the rich amber atmosphere glows with
fire or reflects the light of rebirth. Through painting
and writing, Bierdz sheds and shreds his psyche -
exposing and laying it bare as the bodies and branches
on these canvases. Censorship would corrupt their
beauty. There are no fig leaves for the soul."
Hector
Silva
Hector
explores themes of cultural identity, eroticism and
beauty. His mastery of light and shadow on skin is
captured on paper with pencil. He draws from
photographic stills. Known internationally as an
emblematic Los Angeles artist, Hector Silva’s erotic,
playful and politically charged work re-invents and
queers what scholar Richard T. Rodriguez describes as
the “homeboy aesthetic.”
Living in Los Angeles with its rich Chicano culture,
Hector draws from both his gay identity and the Latino
tradition. Often in his art he juxtaposes homoeroticism
with religious iconography. Among his influences:
religious iconography, pornography, Tom of Finland,
Frida Kahlo, M. C. Escher and Chicano prison art. His
subjects are usually proud brown men, Latinos who exude
an overt sexuality that they communicate in their gaze.
As in real life, it is sometimes unclear whether this
gaze is an invitation or a threat.
Hector is the recipient of the prestigious Sandie &
Nicky Awards. .He has participated in exhibitions at the
Museum of Art in Balboa Park, the Tom of Finland Gallery
and the Advocate Gallery. He has been featured in
publications such as Pepper/Golden Hill, The
Edge, The Update and Adelante.
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